Monthly Archives: March 2010

infinite usb.


Great concept design by designer Jiang Gonglue. Spacesaver! No more unplugging. Yee-ay.

“A new kind of USB plug-in, provides an USB port when occupies one. There is no limitation of the USB port of labtop anymore.”

lipton ice tea.


Another reason to love Hugh Jackman. Directed by Michael Gracey.

moviepeg.


Yeah okay, I think I would secretly like to have an iPhone. Mostly because of all the “cool things” that come with it – like the MoviePeg. In the meantime I will just hate it. The iPhone that is.

“Forget awkwardly propping up your iPhone with your bag or that complicated tripod contraption. Add MoviePeg to your iPhone, adjust the angle and like magic you’ll be in relaxed viewing heaven. And it’s not just for movies; use it in the kitchen when following recipes, with the guys watching sports, as a night-stand for your alarm clock, in the garage working through those how-to instructions, or keeping the kids entertained without the evidence of sticky little fingers. No matter how you use it, MoviePeg is your super portable iPhone tilting wonder.”

michael molloy.




They’re slightly leaning to the right, but I am loving the ?uestlove illustration by Michael Molloy.

He also has Sticky Licks Surf Wax, too cute huh?

notcot visits the mercer.


How much does Narry love detail? A lot (please add Ross Gellar hand gestures to describe “a lot”).

Earlier this year Jean Aw from NOTCOT visited The Mercer Hotel in SoHo, New York. I am still blown away by the “subtle” (yet all over the place) branding and all the thought and detail that went into it.

All photos by Jean Aw for NOTCOT.









black & blue.


It does not matter what day it is.
It does not matter what time it is.
It does not matter where you are.

There are a few songs that will always put you in a good mood. Miike Snow’s “Black & Blue” is definitely one of those songs.

Thank you to the Facebook walls of a few people for sharing.

karl lagerfeld.


Karl was recently interviewed by Bruce LaBruce for VICE Magazine.

I have a whole lotta love and even more respect for Mr Lagerfeld. Growing up, I knew who that big guy with the black clothes and ponytail was. Mamas and I used to watch fashion shows and that is where my love for “beauty” started. Thanks Mamas. Now I am a carbon copy of her – and proud.


Back to the VICE interview.

His sunglasses:

Vice: I like that you make it clear that you don’t want to be photographed or filmed without your sunglasses on. I don’t either. Who would?
KL: They’re my burka.

Vice: Exactly. A burka for the eyes.
KL: A burka for a man. I’m a little shortsighted, and people, when they’re shortsighted, they remove their glasses and then they look like cute little dogs who want to be adopted.

Vice: I’m actually nearsighted in one eye and farsighted in the other.
KL: You can’t operate at all with what you have?

Vice: No. They say I’ll never need glasses because I only use one eye for distances and one eye for close up.
KL: That’s perfect, no? I want to stay shortsighted or else I will need glasses for reading. But I don’t want them because I sketch, I do everything without glasses, except for speaking to strangers. Especially if they wear glasses, too.

Vice: I hate it when photographers are like, “Can we have one with your glasses off?” Why? You can see me just fine.
KL: I had an interview once with some German journalist – some horrible, ugly woman. It was in the early days after the communists – maybe a week after – and she wore a yellow sweater that was kind of see-through. She had huge tits and a huge black bra, and she said to me, “It’s impolite; remove your glasses.” I said, “Do I ask you to remove your bra?”

Fur:

Vice: Are you a vegetarian?
KL: Not really. I have to eat meat once a week because my doctor wants me to, but I prefer fish. I don’t like that people butcher animals, but I don’t like them to butcher humans either, which is apparently very popular in the world.

Vice: You’re sort of irreverent about fur.
KL: If you cannot afford it, just forget about it. Don’t use it as an investment piece to show people how rich you are. Use it like a cheap knitted thing. It’s like a big stone. Lucky you that you can have a big stone, but if it troubles you financially to have the stone, don’t have the stone.

Vice: This is another paradox that I like about you. There’s nothing conspicuous about the way you use things.
KL: If you can afford it, OK. But if you think it’s an investment, then forget about it.

Technology:

Vice: Your relationship to technology is kind of interesting.
KL: Well, I hate telephones. I prefer faxes because I like to write.

Vice: Who are you faxing? Nobody faxes anymore. You’re like the only person with a fax machine.
KL: People I’m really friendly with have faxes. Anna Wintour has one. We speak via fax. And in Paris I send letters to people.

Vice: That’s a lost art.
KL: I have somebody to deliver letters all over every day.

Vice: You send a note over.
KL: Yes, I send notes.

Vice: That’s very Victorian.
KL: Yes, but there’s not one bit bad about the Victorian. Civilized living for me is like this. I’m not a chambermaid whom you can ring at every moment. Today, you know, most people act like they work at a switchboard in a hotel.

Vice: The whole culture of cell phones, texting, and instant messaging is very impersonal and also very distracting.
KL: I’m not working at a switchboard. I have to concentrate on what I’m doing. The few people I have in my telephone are already too much. When I’m on the phone I talk, but I really want to be alone to sketch, to work, and to read. I am reading like a madman because I want to know everything.

Drugs:

Vice: You never experimented with drugs at all?
KL: Never.

Vice: Ever?
KL: I saw others doing it and I didn’t think it was such a success.

Vice: You didn’t even have a curiosity?
KL: No. There was a famous man who had written about flies and insects, and I’m like the one who watches the insects. I prefer to see how drugs work on others. And I cannot smoke cigarettes. I need my hands for something else. When I was 14 I wanted to smoke because my mother smoked like mad. I wanted to smoke to look grown-up. But my mother said, “You shouldn’t smoke. Your hands are not that beautiful and that shows when you smoke.”

Weight-loss:

Vice: And when you finally lost the weight, what made you do it?
KL: Well, there came this new line from Hedi Slimane at Dior, that you needed to be slim to wear. It said, “You want this? Go back to your bones.” And so I lost it all. I lost 88 pounds and never got them back.

Narry says: Love his humor.

brosmind.


Last night, I was browing through random books at Exclusive Books. Yes, from now on I will only go to the bookstore itself, because the new website is shockingly bad. Eyesore. Also, slightly offended because it *corrected* my “Kevyn Aucoin” search, by suggesting “Kevin Aucoin” with an “i”. Sorry, my lovelies – it is Kevyn with an “y”. Thought I would click anyway to see what their suggestion might reveal: “Cannot be found.” Hot.

So while I was at the bookstore, I noticed a book filled with work by various illustrators. I have no idea why I was drawn to the book, because the cover is ugly and not appealing at all – cannot even remember the title of the book. Oops. Might have to go back to make a mental note. Thanks to my friend who had his iPhone ready to snap away, to remember Brosmind. These illustrations are amazing, bright and it makes you LOOK.




What is life without poopy chocolate balls anyway?

shoebox art.


This morning I was looking at an empty shoebox that has been lying next to my bed for the last 2 weeks. Whaaat? Yes, I am a mess. No mo, no mo!



Shoebox Art caught my eye and I might just get a little creative over the weekend.

deckstool.



The Deckstool by Jason Podlaski is a fun (and quirky) way to add color to any room.

“Solidly crafted using broken skateboards harvested from skateshops and skateparks across the U.S.A. Finely finished edges frame beautifully scuffed graphics that tell the story of the decks’ previous lives.”

They are selling out fast.